Zack Synder終于放棄了300和守望者那種色彩飽和度調得過猛和大量慢鏡頭的拍攝方式諾蘭是個好監(jiān)制諾蘭的故事高耶的劇本施耐德的視效讓穿梭于天地間的超人比復仇者黑暗比蝙蝠俠陽光高速攝影的畫面配上季默的原聲讓整部片子充滿了大氣磅礴之感亨利卡維爾真是越看越帥Welcome to the planet
i think i get it / But when you see the future and you change it, it can't be called future, is it? Kind of like paradox / So as long as you keep changing, the future you see is not your future, it's more like one new life after another / Am i correct? i don't know